{"id":9199,"date":"2023-12-15T16:04:46","date_gmt":"2023-12-15T08:04:46","guid":{"rendered":"https:\/\/www.artmuse.ntnu.edu.tw\/?page_id=9199"},"modified":"2024-11-11T09:16:48","modified_gmt":"2024-11-11T01:16:48","slug":"bilocationunraveling","status":"publish","type":"page","link":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/en\/past_exhibit-en\/bilocationunraveling\/","title":{"rendered":"Bilocation Unraveling \u5206\u8eab\u8853"},"content":{"rendered":"\n<figure class=\"wp-block-image alignwide size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-1024x576.png\" alt=\"\" class=\"wp-image-9186\" srcset=\"https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-1024x576.png 1024w, https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-300x169.png 300w, https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-768x432.png 768w, https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-1536x864.png 1536w, https:\/\/www.artmuse.ntnu.edu.tw\/wp-content\/uploads\/2023\/12\/\u6d77\u58312400-1350-2048x1152.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Bilocation Unraveling: <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Narratives and Allegories of Body Images<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">2023\/12\/23 SAT\uff0d2024\/2\/3 SAT<\/p>\n\n\n\n<p class=\"has-text-align-center\">NTNU Art Museum Floor1-3<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Portraits, figures, human figures, and bodies have long constituted a high percentage in arts and convey the social reflection and personal expression of artists. Our exhibition begins with the perspective of \u201cbodyscape,\u201d treating the body and images it facilitates in a work as a landscape conveying symbolic vocabulary; and questions the relationship between the body and personal reality. This topic is initiated by using the concept of \u201cbilocation\u201d to examine the origin of body image and the artists\u2019 observation and imagination of the world.<\/p>\n\n\n\n<p>In \u201cbilocation\u201d or multi-location, images similar to reality or emotional memories connected with reality are used to form a \u201cplural\u201d system that displays multiple body images. The 50 works in our exhibition respond to the topic related to the concept of bilocation in conveying the simultaneous appearance of the same images, the looming appearance of a character with shallow consciousness, a theater that portrays society, or a specific conscious annotation of personal life. Thus, numerous interpretations of body image are presented through the \u201cbilocation.\u201d According to German art historian Hans Belting, images come to life through symbolic meanings and survive through people\u2019s perceptions and memories, as if these images are living in a virtual body of paintings. Through the narratives of body image, artists give their bilocated characters visible bodies to facilitate viewers\u2019 perceptions and memories, making numerous figures in each painting visible in front of the audience. The works in our exhibition feature a variety of media such as oil paint, watercolor, ink, and printmaking from the 1950s to the 1990s to convey the diverse discussion of artists on body image in the postwar era, the \u201cannotations of daily life\u201d in body image, and the \u201callegorical images\u201d that portray the present reality and the future.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Artists<\/strong><\/p>\n\n\n\n<p>Chiang, Hsien-Erh; Ho, Yao-Tsung; Wu, Yu-Tang; Lu, Chen-Kuang; Li, Wen-Chien;<\/p>\n\n\n\n<p>Li, Kun-Pei; Tu, Jo-Chou; Shen, I-Cheng; Lin, Chang-Te; Lin, Chung-Han;<\/p>\n\n\n\n<p>Chiu, Chiung-Nuan<a>;<\/a> Hung, Tien-Kuei; Hung, Ken-Shen; Hung, Ching-Yun; Hou, Li-Jen;<\/p>\n\n\n\n<p>Kao, Shan-Lan; Yuan, Chin-Ta; Sun, Chia-Chin; Chang, Kuang-Chao; Chang, Shu-Mei;<\/p>\n\n\n\n<p>Liang, Hsiu-Chung; Hsu, Tzu-Kuei; Chen, Chieh-Yi; Chen, Shih-Chiang; Chen, Chun-Nan;<\/p>\n\n\n\n<p>Chen, Hsiang-Yin; Chen, Che; Chen, Ching-Jung; Chen, Kuang-Yi; Chen, Huai-En;<\/p>\n\n\n\n<p>Peng, Wan-Chih; Tseng, Shih-Yu; Tang, Yun-Tien; Feng, Cheng-Chih; Huang, Chin-Lung;<\/p>\n\n\n\n<p>Huang, Ming-Chu; Yang, Hsing-Sheng; Liao, Hsiu-Ping; Chao, Hui-Ling; Liu, Chun-Lan;<\/p>\n\n\n\n<p>Teng, Hsien-Chih; Cheng, Chih-Kuei; Lu, Ming-Te; Hsieh, Li-Fa; Han, Hsiang-Ning;<\/p>\n\n\n\n<p>Lo, Fang; Tan, Hsing-Chien; Su, Shih-Hsiung; Su, Hsien-Fa; u, Ping-Hsing;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Organizer: National Taiwan Normal University <\/p>\n\n\n\n<p>Executor: NTNU Art Museum Provisional Office<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bilocation Unraveling: Narratives and Allegories of Bod [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"parent":8566,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-9199","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/9199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=9199"}],"version-history":[{"count":11,"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/9199\/revisions"}],"predecessor-version":[{"id":10306,"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/9199\/revisions\/10306"}],"up":[{"embeddable":true,"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/8566"}],"wp:attachment":[{"href":"https:\/\/www.artmuse.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=9199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}